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The story isn't much to write home about and neither is the action, which is what this film, realistically, only had going for it if it wasn't gonna be entertainingly awful. Ben Barnes is a little bit bland as a leading man and he lacks the charisma to truly carry a film on his own, but he's a decent enough actor to hold his own.
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And, you know what, they still did about as much as they could with it. I don't wanna say their performances were inspired, but I think that even these three knew the fate that would befall this movie. Julianne Moore, Jeff Bridges and Olivia Williams (in an abbreviated role) are always good. It just wasted its chance to do something silly here. Which is weird considering that this is, slightly, superior to the two films I've just mentioned. It would fall somewhere along the middle of those two films. Let's just say it wasn't quite as bad as 47 Ronin and it wasn't quite as entertainingly bad as The Room was. That's what I was referring to when I meant there could be some fun had with this, not that I actually thought it was going to be any good. There's still some hints of that here, but I don't think it ended providing enough genre fun to make it worth watching in a so bad it's entertaining kind of way. Of course it was at the very beginning and before the film and its story started progressing, but the set-up was definitely there for it to be an unpretentious, silly film. There was even a point in the film where I thought I could actually have some fun watching this. I don't think there's any way that this film, in spite of how bad it is, actually reaches that level. This is actually a slightly better movie than 47 Ronin which, despite having some B-movie charm, was an absolute disaster in terms of taking a concept and completely ruining it by throwing every wacky idea at the wall without much of a filter. In fact, this is closer to 47 Ronin, the Keanu Reeves version, than it is to The Hobbit, LOTR, Harry Potter, etc. It's obviously not trying to compete with that. But there's a point in the film where I realized that this was, really, more of a B-movie than something that was meant to compete with, say, The Hobbits of the world. I realize that's not exactly high praise considering that the trailers made it look like the worst movie in about 5 years and I would still consider this bad. But I digress, this film isn't nearly as bad as the trailers made it out to be. Iron Monkey is the next review, so my luck will, hopefully, change tonight. It appears I'm being struck with that lack of luck in finding a good movie to review. I'd have to go back to see how long it actually was, but let's just say it was a month. I hated that movie so much, but after I reviewed that, there was period of about a month where I did not review a good movie. Last time this happened it was with Cars 2. Actually it's only been close to 3 weeks since that. SYNOPSIS: A slayer of evil seeks a new apprentice to help him battle the evil witch, Malkin.This streak of not having seen any good movies since The Dead Zone is never going to end. WRITERS: Charles Leavitt, Steven Knight and Matt Greenberg (screenplay), Joseph Delaney (novel) *C also features in Seventh Son because of course it does.ĬAST: Jeff Bridges, Ben Barnes, Julianne Moore, Alicia Vikander, Djimon Hounsou It’s too often a chore to make out Seventh’s beautiful countryside and cast members through the frequent eye rolls that some truly terrible dialogue and a limp love story induces. Instead it got a poorly-written, oh-so-predictable companion piece to the execrable RIPD that at least aims slightly higher with its world-building. Seventh Son was meant to be released February 2013, presumably with the YA market ready for a hip new upstart that sounds like Jeff Bridges doing a Bane impression. Pop quiz, hotshot! What comes after “You chose this life”?Ĭhose A? Congratulations!* Here’s $95 million (!) to waste on a picture presented in pioneering Audience-Groan Surround Sound.
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